Christopher Welles Feder is unique in American culture. She is the eldest daughter of Orson Welles and a writer, educator, editor, and sometimes performer. Born Christopher Marlowe Welles in New York City on March 27, 1938, she inherited a famous name but spent her life defining herself.
Her father chose the masculine first name because he liked “Christopher Welles.” When she was born, he sent telegrams saying, “CHRISTOPHER SHE IS HERE.” The unusual name was the first sign of a life shaped by performance, imagination, and celebrity.
Professionally, she has generally been known as Chris Welles Feder. Her adult life has centered on education, writing, family, and private reflection rather than the public spectacle that surrounded her father.
Growing Up in Orson Welles’s Family
Christopher was born during a period when Orson Welles was rapidly becoming an international figure. He was already a celebrated theater and radio innovator, and his career would soon include Citizen Kane, The Magnificent Ambersons, Macbeth, and countless other projects.
Virginia Nicolson, an actress known as Anna Stafford, was her mother. Virginia and Orson married as teens in 1934. Christopher was extremely little when they divorced in 1940. It split her childhood across houses, marriages, countries, and emotional commitments.
Her father-daughter connection was warm yet sporadic. When present, Orson was playful, generous, and attentive. He called her “darling girl,” told stories, performed magic, and made everyday moments dramatic. Sometimes job, travel, financial concerns, and a complicated personal situation kept him aloof.
Christopher’s memories’ core tension intrigues me. She doesn’t portray Orson as the immaculate genius or cruel failure. Instead, she recalls a talented father whose affection was genuine but erratic. Her depiction resembles family life rather than a tale.
Christopher also spent time with Roger and Hortense Hill, who served as important guardians and surrogate parental figures. Their home offered stability during years when her parents’ lives were often unsettled.
A Child on the Film Set
Christopher appeared in her father’s 1948 film Macbeth as Macduff’s child. The role was small, but it connected her directly to one of the most ambitious projects of Orson Welles’s career.
She appeared briefly in The Lady from Shanghai uncredited. She played an American child with an ice cream cone in Acapulco. Though brief, the scene illustrates her childhood’s peculiar setting. Christopher could see movie sets from the theatre. They participated in family life.
She later appeared as herself in documentaries about her father, including Searching for Orson and Magician The Astonishing Life and Work of Orson Welles. These appearances allowed her to offer a personal perspective on the man behind the public image.
Her Mother Virginia Nicolson
Virginia Nicolson remained a powerful and complicated presence in Christopher’s life. She was an actress, a young wife, and the mother of a child caught between two strong personalities.
Virginia married screenwriter Charles Lederer after divorce from Orson. Later, she married John C. South African-Englishman “Jack” Pringle. Her life included moves to Europe, South Africa, Switzerland, and others. Thus, Christopher’s upbringing encompassed travel, boarding, finishing school, and moving.
Virginia resented Orson Welles. Christopher said that animosity damaged her paternal interpretation. A youngster can bring one parent’s animosity into another relationship due to separation. Mother and daughter reconciled.
Virginia died in Wiltshire, England, in 1996. Her parents were Leo Malcolm Nicolson and Lillian S. Wayman, who had connections to the Chicago and Wheaton, Illinois area.
The Welles Family Tree
The Welles family included several remarkable and sometimes uncertain branches.
| Family member | Relationship to Christopher | Known for |
|---|---|---|
| Orson Welles | Father | Actor, director, writer, producer |
| Virginia Nicolson | Mother | Actress |
| Rebecca Welles | Half sister | Daughter of Orson Welles and Rita Hayworth |
| Beatrice Welles | Half sister | Designer, animal rights advocate, estate manager |
| Michael Lindsay Hogg | Possible half brother | Film and theater director |
| Irwin Feder | Husband | Professor, editor, artist |
| Norman deHaan | First husband | Married Christopher in 1957 |
Orson Welles and Rita Hayworth had Rebecca, Christopher’s half-sister. Born 1944, Rebecca died 2004. Christopher considered her a “sweet presence” and stayed close despite distance. Rebecca spent her senior years in Tacoma.
Her other half sister is Beatrice Giuditta Welles, born 1955 to Orson Welles and Paola Mori. Beatrice and Christopher had little contact. Beatrice met them during her father’s funeral after meeting them as children. She developed purses and jewellery after working in cosmetics. She got active in animal rights and Welles estate issues.
Another probable relative is director Michael Lindsay Hogg. He was long rumoured to be the son of Orson Welles and Geraldine Fitzgerald. Christopher and Lindsay Hogg played together as kids in Santa Monica. She called the relationship “delightful” if confirmed.
The question remains disputed. Lindsay Hogg’s memoir and statements from family friends support the possibility, while a DNA test was inconclusive. He is therefore best described as a possible half brother rather than a confirmed one.
Marriage and Life with Irwin Feder
Christopher married Norman deHaan in December 1957. The marriage included time in Seoul and eventually ended in divorce. Orson Welles reportedly had reservations about the groom and did not attend the wedding.
In 1970, Christopher married Irwin Feder. Their marriage lasted for decades and became the foundation of her settled adult life in New York City. Irwin was a college professor, editor, and artist. Christopher has spoken of their long and happy marriage with warmth.
Irwin died in Manhattan on May 26, 2011, at the age of 87. Christopher became stepmother to his children, Katia Feder Dubus and Ivan Feder. Both have lived in Paris with their spouses, Bertrand Dubus and Joanna Feder. The extended family includes grandchildren Alex Dubus and Aria Feder.
This family life gave Christopher a world that was not defined by movie premieres or famous surnames. It was built around marriage, work, routine, and the quiet responsibilities of raising and supporting a family.
An Accomplished Educational Writer
Christopher’s professional career developed far from the glare of Hollywood. From 1964 to 1968, she worked as a foreign language editor for Encyclopaedia Britannica in Chicago, Vienna, and New York. She then served as managing editor at Ludi Education Inc. in New York from 1968 to 1973.
From 1974, she freelanced, wrote textbooks, and advised schools. Elementary reading, language arts, social studies, and adult literacy were her projects. She worked on Brain Quest preschool, kindergarten, and elementary editions.
Other work included Developing Everyday Reading Skills, the Century 21 Reading Program with S. Margulies, and New York City Story Then and Now with G. Sesso. She also wrote poetry and published The Movie Director Dramatic Monologues and Poems in 2002.
Her professional life resembles a bridge between imagination and practical learning. While her father transformed film and theater, Christopher helped children and adults develop the tools to read, understand, and interpret the world.
In My Father’s Shadow
Christopher’s best known book is In My Father’s Shadow A Daughter Remembers Orson Welles, published in 2009. The memoir examines Orson Welles as a father, not simply as a cinematic giant.
The book draws on memories, letters, family photographs, and private experiences. Christopher writes about his charm, his absences, his generosity, and his limitations. She also discusses Virginia Nicolson, Rita Hayworth, the Hills, and other people who shaped her childhood.
The memoir’s strength lies in its balance. Christopher neither excuses her father’s failures nor denies his gifts. She allows affection and disappointment to exist in the same room. That emotional honesty gives the book its quiet power.
The Christopher Welles Feder Collection at Michigan
Christopher donated a personal collection of Orson Welles materials to the University of Michigan in 2012. The collection covers the years 1931 through 2009 and occupies about 2 linear feet.
Letters from 1937 to 1952 from Orson Welles to Virginia Nicolson are included. Handwritten margin doodles are in some letters. Welles’s Chateau Marmont stay, studio management meetings, and cinematic debut are described in a July and August 1939 group.
The collection also contains photographs, newspaper clippings, legal papers, programs, press materials, audio recordings, and video tapes. Photographs include Christopher with her father, Rebecca Welles, production stills from Macbeth, and images connected with early Welles projects.
I see the archive as a family room preserved in paper, film, and ink. The larger Welles holdings document a professional career, but Christopher’s collection adds the intimate details of marriage, childhood, correspondence, and memory.
FAQ
Who is Christopher Welles Feder?
Christopher Welles Feder is an American writer, educational author, editor, and occasional actress. She is the eldest daughter of filmmaker Orson Welles and actress Virginia Nicolson.
Why was she named Christopher?
Orson Welles chose the name because he liked how “Christopher Welles” sounded. He announced her birth with telegrams reading, “CHRISTOPHER SHE IS HERE.”
What films did Christopher Welles Feder appear in?
As a child, she appeared in Macbeth in 1948 as Macduff’s child. She also had a small uncredited appearance in The Lady from Shanghai.
What is her most important book?
Her major memoir is In My Father’s Shadow A Daughter Remembers Orson Welles, published in 2009. It presents a personal account of Orson Welles as a father and public figure.
Was Michael Lindsay Hogg her half brother?
Michael Lindsay Hogg may have been the son of Orson Welles and Geraldine Fitzgerald, but the claim remains unconfirmed. Christopher knew him as a child and has spoken openly about the possibility.
What is held in her Michigan collection?
The University of Michigan collection includes family letters, photographs, newspaper clippings, audio and video materials, legal documents, and memorabilia connected with Orson Welles and Virginia Nicolson.
Where has Christopher Welles Feder lived?
She has spent much of her adult life in New York City, where she developed her career in educational publishing and writing.